DOA Discourse

1) (10:03 am) So you read somewhere that knowledge is simply patterns at intersections,

2) (10:26 am) And, of course, you already know that ‘intersection’ implies two or more non- parallel processes or discourses, and

3) (11:30 am) Naturally the greater number of non-parallel discourses , especially open-loop recursive ones in a complex system, will both increase the quality and quantity of said intersections

4) (12:04 pm) And, as any fuck-wit will tell you, any attempt to quantify or even verify the nature of this complexity will inherently limit the very complexity that you are observing as this would be an action of input control and…

5) (12:30 pm) Lunch time. Chicken and rice today.

6) (1:01 pm) …may inadvertently emphasize or de-emphasize (or completely ignore) crucial facets of the system which may or may not be producing the patterns and discourses you wish to verify.

7) (3:27 pm) Then you draw a picture to better explain this to your imaginary readers, lest you confound non-existent people and look like an enormous dick-splash, when you realize that you are not getting paid to be here anymore and should just go home and watch reruns of “Wings” on Netflix and allow yourself to be absorbed with the topical humor while explaining to your girlfriend the obvious facets in which the program is inferior to both “Cheers” and “Frasier”.

Histories in Decontextualization

While any element of an antecedent, (or ‘souvenir’) retains the history of substance in its decontextualized state, it also retains a parallel history of the process of decontextualization, as any open-ended recursive system also processes interference, which ultimately becomes inseparable from the representative agent itself. This not only modifies the agent, but also the collective antecedent, in its full context, as a resultant of its constituents. The agent, then, destroys the meaning of the antecedent, and replaces it with itself, as a sort of self- referential iconoclast. So, dear God, what has your souvenir done???

Past-y Blast-y

The urban is a medium to digest and explode culture. The map is a design to codify this appropriation.

Asymptotical Axons

A celebration of the Gap

resultant from process.

Written on scraps of paper in half-lucid states, pocketed, and later read and largely misinterpreted.

There are, of course, more blanks than presented here, although most of the ones here are intentional, if not purposeful.