Monday, July 30, 2012

Velociplosion Genesis



The iconic photographic explorations of Eadweard Muybridge depict and distill continuous movements, from the mundane to the exceptional, into isolated frames of regard. These exercises, intentionally or otherwise, allow the idiosyncrasies of an object in time to be represented out of context, within a two dimensional medium (the genesis of cinema). This transformation is inherently one of reduction, contraction, minimization; we propose to inverse these operations through ‘Velociplosion’, a spatial event of matter and light.
More in time.